Thursday, September 24, 2009

Master Chef - 14th Century Inuit Style

I often talk to upper primary school sudents about the minimalist environment of the 14th century Inuit peoples of Baffin Island who lived above the Arctic Circle. The setting for Polar Boy. So much of what we take for granted - from our lifestyle to the words and images we use to describe things - just doesn't exist there. No trees, no metal, no cotton and little colour. Very little fire.

Seal oil or beluga whale oil were the options for light, warmth and cooking. Oil was burned in a Qulliq, soapstone lamp/stove. The soapstone was carved to form a rounded shape, with a depression at the top to hold the fuel. Warmed up soapstone could be used to heat up water and boil meat.

But oil was usually in short supply. The latter always elicits a groan when the kids realise this means food was often eaten raw. But then we talk about the harshness of the climate, the ever present threat of starvation and what we might do to survive. Frozen meat, called quaq, is easy to eat since the ice crystals in the meat and blood assists in the chewing process. Meat eaten this way provides a kind of "rush", producing extra body heat.

For the recipe minded - who do have access to heat, vegetables and a seal to stew:

Ingredients
· 2 lbs seal meat, with fat, cut into small pieces (4 cups)
· 6 potatoes chopped
· 3 carrots chopped
· 1 onion chopped
· 1/3 cup tomato sauce or soy sauce

Directions
1. In a saucepan over medium-high heat, cook the oil out of a few fatty pieces of seal.
2. Add meat and onion. Cook, stirring, until meat is browned.
3. Add carrots and potatoes. Add water to cover, bring to a boil, then reduce heat to simmer.
4. Cook about 35 minutes, or until vegetables are tender. Stir in sauce if desired.

Thursday, September 17, 2009

Literacy Lava Issue 2 Now Available

The best thing about the Internet - blogging, twittering and face booking - is the new friends I make who share my common interest in children's literature. Next best is the new information I learn. And here is something that combines the best of both - the Book Chook (alias Sue Stephenson), editor of Literacy Lava Magazine. To take the words 'out of the chook's mouth' (so to speak *grin*):


Literacy Lava is a free pdf ezine for parents, offering tips on ways to incorporate reading, writing and communicating into family life.

In the second edition of Literacy Lava, you’ll find ideas: for motivating reluctant readers, for literacy on the go, for developing the imagination muscle, for linking math and literacy, for having a pirate party and a book picnic, for rhymes, games, activities and more!
Brought to you by bloggers and writers who are passionate about children's literature and literacy, Literacy Lava 2 is erupting with no- or low-cost activities parents can do with their kids.


So, if you think you'd like a little lava to read with your java... If the price tag FREE appeals to you...

Download Literacy Lava Edition 2 here.

I like Literacy Lava so much I contributed to the second issue. You'll find my article BRRR… Learning to Read Isn’t Always Cool on p8.

Wednesday, September 16, 2009

Peter Sculthorpe and Me

I don't know Peter Sculthorpe. In fact I had never heard of him before last Saturday when I was reading the (Sydney) Good Weekend article about his life. He's Australia's most famous composer, an MBE, OBE, AO, holder of four honorary doctorates, one of Australia's 45 icons and a Living Treasure. On top of all that he's really interesting and a great storyteller too.
Part way through the article I found the paragraph that rocked me - and I plagiarise *grin*: "His process of composition has never changed. He draws a series of boxes, like a brainstorming diagram on a whiteboard, and puts a musical idea in each. Then, as he puts it, 'I connect up the boxes'." Fireworks and lightbulbs exploded in my brain. I was so excited. This is how I write! Exactly how I write! I have long struggled against my inability to plot. I feel like I should. I feel like it would improve my writing and I try hard to do it. But I can't. i work like Peter. I write out the chapter headings. And I put an idea in each box. Then I link them up. One thing I have learned though is to blend the linking by using big blurry lines so that my story does not feel episodic in nature.

Intrinsically I have always known there is a strong relationship between writing words and writing music. But sometimes I have to be hit over the head with it too. And that reminds me of another time it happened. For my twelfth birthday I asked for The Complete Works of Shakespeare. I still have those beautiful red volumes. It wasn't that I was particularly smart (although the kids say I am a bit nerdy but that's OK as it's sort of cool at the moment) - in fact I didn't really understand the Shakespeare much. I just loved the sound the words made when I read them aloud. And when the words made snippets of images I could understand, the sound was glorious. I struggled to explain this to others until last year my husband and I were listening to a shared favourite song of many years. "I love those lyrics," I said. "Oh, what's it about?" he asked. "I never listen to the words." Right then I was reminded of how words are sometimes beautiful music first and meaning second.

One last snippet of wisdom from Peter. He was speaking about how he didn't mind bad reviews and quoted his favourite which was about one of his piano concertos: 'It would be best played at night, at a piano bar ... preferably after all the people have left.' I couldn't help but imagine the equivalent book review: 'It would be best read in bed at night, in the dark, preferably after you have gone to sleep.'

Now I am going to seek out some of Peter's music.

Tuesday, September 15, 2009

Ipswich Festival of Children's Literature

Woodlands of Marburg is impressive and atmospheric and that was before I heard the ghost stories and saw Simon Higgins' photograph of the strange shape on the landing. The ghostly sighting was confirmed by Donna Rawlins and a host of others. Storytellers in their element, they had a great story to tell.

As a relatively new author, and a total newcomer to literature festivals (this was my first) I found the Ipswich Festival of Children's Literature heaps of fun. I can't imagine all festivals run as smoothly though. Jenny Stubbs and her team of volunteers do a wonderful, wonderful job of juggling all the balls, books, kids and presenters.

The highlight for me was of course, the sessions with kids. Kids are imanginative, inspiring and irrespressible. They wear me out and reinvigorate me. Another highlight for me was the opportunity to talk with authors and illustrators I admire. It's always a trap to drop names but here is just a snapshot of those I caught up with - Anita Bell, Anne James, Brian Falkner, Jan Ormerod (Water Witcher was a favourite of #2 son), Janeen Brian (Whare does Thursday Go was a favourite of #1 son), Justin D'Arth, Marc Mcbride (Deltora Quest illustrations are everywhere in our house!), Mark Carthew, Anna Ciddor, Ann Haddon, Simon Higgins, Ann James, Donna Rawlins, Simon French, Pat Flynn, Liz Flynn, Tony Davis, Elise Hurst and Terry Denton (no-one draws fish like Terry).

John and Douglas, from The Book Garden bookshop,who were on-site for the duration, are a testament to the value of expert children's literature advice.

I was only there for three days but already I am crossing my fingers that I might be invited back another year.

Monday, September 14, 2009

What's in a Name?

I'm not very good at titles. I think it is easier to write a book rather than think of a title. I'm sure it's some sort of literary law of diminishing words and exponentially increasing level of difficulty. It fits. It's as hard to write a picture book as it is to write a novel (and a lot fewer words in a picture book) so by extension it's impossible to write a title (hardly any words in there).


Mexica Runner, which I named over a year ago when I finished it, has had a name change. The word Mexica caused confusion with Mexico. I couldn't bring myself to change it to Mexico (so unright) or Aztec. The latter might seem the obvious solution but Aztec was a word historians (reasonably recently) invented to describe the Mexica peoples. And as I have gone to great lengths to keep my novels as historically accurate as possible, it didn't seem right to throw all that away on the front cover. I brainstormed a list of possibles and the now the votes are. The new title is Jaguar Warrior. I like it. I like it a lot. I can't wait to see the cover. I am imagining a golden-eyed jaguar.


I am currently working on Samurai Kids Book 5 and I had a tentative title surprisingly early in the process: Lizard Breath. I gave it a trial whirl on Facebook. Not good. It sounds like a playground insult, Christine Bongers told me. Now Christine is a wizard with words (her debut novel Dust is proof enough for me) so I listened and I took my title for a walk in the park. Not good again. Everyone agreed with Christine. Tentative next new title: Fire Lizard. What do you think?

Friday, September 11, 2009

Simon Higgins Launches Monkey Fist

My blog has been sadly, badly neglected of late. I have been been having too much fun! Blame it on the Book Week whirl and the wonderful Ipswich Festival of Children's Literature. These past weeks have reinforced to me why I write for kids and have inspired me to continue writing and reaching out to our young readers, writers, story-tellers and story-listeners.

So where to begin? Backwards has always been a direction that has worked well for me. So tonight I am revisiting the launch of Monkey Fist by author and extroadinary person all round - Simon Higgins. Simon is a master oral story teller, an expert on many things Japanese and a Taikai practitioner. I had to confess - in person, how embarrassing - that I hadn't read any of his books based in Japan - even though I own them all - because I know I am going to love them (I had a peek) and am just a little worried a line might sneak across from one of his books without me knowing it. Call me a wimp but I once wrote a song and stole a whole line from Jummy Buffet without realising. I am actually very strong - and not a wimp! - because it is taking all the willpower I have not to get started on the Moonshadow series.

The launch began with Simon transporting the assembled group from the lawns of historic Woodlands of Marburg to a tori gate in Japan. We watched spellbound as Simon performed a sword ceremony in honour of Monkey Fist. The sword hissed as it slithered from the scabbard. And around me I hear whispered oohs and aahs.

He was a very hard act to follow. So I kept it simple and if you want to know what I said I rather like the way Belinda Jeffrey described my (very short) speech on her web site here (She's a very talented writer and I recommend you read her excellent debut YA novel Brown Skin Blue).

Monday, September 7, 2009

BLOG TOUR - Alphabet Soup

I often talk to kids about the team behind the book - so much more than just the author - the editors, the graphic designers, the illustrator, sales and marketing and on it goes. So I am particularly pleased to be hosting Alphabet Soup editor Rebecca Newman as she talks about the people behind the magazine.

Alphabet Soup is an Australian magazine for children aged 6 to 12 who love reading and creative writing. I personally recommend this wonderful magazine but you don't have to take my word for it *grin* A free sample of the magazine (issue 1) can be downloaded here.

Who’s on the team behind Alphabet Soup?
or ‘I would be crazy to try this on my own – who else can I talk into it?’


The first issue of Alphabet Soup was published in spring 2008. Although I run the magazine as a small business, it needs more than just an editor and publisher, so – despite what many people think – I can’t take all the credit for what you see in the magazine! (For starters, I can’t draw to save my life, so at the very least I need an illustrator!)

If you don’t count me, (or the official Team Alphabet Soup – my husband and children), the very first person to join the team was our production manager, Katie Lennerts. Katie is a mentor, software magician, and eagle-eyed proofreader. She’s invaluable to have around, especially when I’ve been staring at the same pages for three days straight and I can’t tell the difference between a comma and a colon anymore!

Then there’s Greg Mitchell, who joined the team as our first illustrator. Some years earlier I had been in meetings that Greg was also attending – and watched him as he (not so secretly) drew quick cartoons about the topics being discussed. It sure made a meeting more entertaining! I always remembered those quirky sketches, and contacted him about whether he’d consider illustrating the magazine. He works as an education consultant and is kept very busy, but luckily he said yes!

Greg was very encouraging about the magazine’s concept from the beginning (back when it was going to be called Runcible Spoon). While we were tossing around magazine ideas, he sat in my dining room and sketched cartoons of my 1 year old as she zoomed in and out of the furniture! Since the very first issue I have been grabbed by children and grown-ups who wanted to say how much they love his illustrations.

After the first few issues, when we were feeling more settled, our second illustrator, Annette Flexman, joined us. Annette is an art teacher, she was already a fan of Alphabet Soup and slotted in very easily. The spring 2009 issue is our first with the two illustrators, and we love the combination of their styles!

Also joining the team (as of this issue) is the Book Chook. She fields children’s questions about writing, and answers them in her column of writing tips for kids. (If you have a child with a question about writing, they can send an email to bookchook@alphabetsoup.net.au.)

Next there’s our well-utilised IT guru, Ryan, who helped to set up the website, and continues to help with website-related issues and online payments. He always remains cheerful and helpful, no matter how silly my questions are. (Perhaps he rolls his eyes on the inside, he’s a very patient IT guru!)

When we’re judging the kids’ writing competitions, I have the assistance of an education consultant. She and I love reading through a big pile of entries for each issue. We are constantly amazed at the stories and poems kids send in.

And I thought I should conclude by acknowledging our printer, because PK Print in Hamilton Hill really do a fabulous job with the magazine. They are always friendly and patient and that makes the last step of each issue much less stressful.

So there you have it – the team behind Alphabet Soup. I couldn’t do it without them!

*****

Thank you Rebecca. And if anyone missed the previous tour stops - just go backwards from here!

1 September Dale Harcombe (Write and Read With Dale) What led Rebecca Newman to start Alphabet Soup magazine?

2 September Sally Murphy (Sally Murphy's Writing for Children Blog) What goes into ‘whipping up’ an issue of the magazine?

3 September Claire Saxby (Let's Have Words) Promotion and Alphabet Soup

4 September Mabel Kaplan (Tales I Tell) Submissions, and selecting material

5 September Dee White (Teachers Writing Helper) Alphabet Soup in the classroom: benefits for teachers

6 September Robyn Opie (Writing Children's Books) ‘First birthday’ giveaway. Win a set of the first four issues!

7 September Sandy Fussell You are here! Who’s on the team behind Alphabet Soup magazine?